Top Warm-up Exercises
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Singers need to prepare their voices (warm-up exercise) before a performance or every rehearsals in order not to strain their voices, pretty much similar to what athletes do before their big game or event. Vocal warm-up exercises get the air flowing and relax your muscles to get ready for the more strenuous activity to come. It's perhaps the most effective way to prevent vocal fatigue and overuse damage.
It may confuse you - are you going to get strained with too much exercise? Yes. Your vocal folds are controlled by tiny muscles, and when they're warmed-up they are more flexible, easier to use, and less susceptible to injury.
Do some whole-body stretching and relaxing before you start your singing warm-up exercises. Start with the "rag doll" exercise. From a standing position, bend forward at your hips, allowing your head and arms to dangle freely. Shake them a bit, then just let them dangle for another minute or so.
For proper posture alignment, follow it up with a stretching exercise. Stand with your feet flat on the floor, about hip-width apart, and your arms at your sides. Bring your arms rapidly upward and across your body in a circular motion until they are over your head. Take a good, deep breath as you move your arms up while rising on your tiptoes.
As you slowly exhale, bring your arms back down to your sides and come back down to flat feet. Try to keep your chest up and shoulders back, as they were at the top of the stretch, after bringing your arms down. You are now ready to begin singing.
The first warm-up exercise uses a technique that goes by many names: buzz, bubble lips, lip roll, or lip trill. You do this by exhaling with puckered lips to create a sound like a "raspberry" or a bit like a motorboat. This is due to the vibrations of the lips.
You will do the buzz slide between three tones: the base tone, up a fourth, and back to the base (do-fa-do): in the key of C major, it would be C,F,C. Repeat, moving up a half step each time (C#, F#, C#, then D,G,D, then Eb, Ab, Eb, etc.). You can also do this on the syllable "ee" or "oo", but the buzz forces you to use good breath support.
The next warm-up exercise is the fifth-slide. Start on the fifth tone with the syllable "wee" and slide down to the base (so-do): in C major again, it would be G, C. Repeat on the same tones with "zoo", then move up a half-step and repeat, "wee" and "zoo" on Ab and Db. Continue moving up by half-steps.
Next is the five-tone descending scale. Starting on the fifth tone, descend stepwise to the base: so, fa, mi, re, do. First do the syllable "na", then "nay", "noh", and "noo". Move up a half-step and repeat the scale on each syllable.
The fourth warm-up exercise is a descending 8-tone scale (do, ti, la, so, fa, mi, re, do) on the syllable "noo". Again, move up a half-step with each repeat. You can also try other vowel sounds, such as "nah", "nay", "nee", or "noh", or use "m" instead of "n" as the initial consonant. Try to feel your mask, or upper resonance, as you do this.
Follow that with a descending arpeggio: do, so, mi, do, on the syllable "nah". Repeat on "nay", "nee", "noh", and "noo", then move up by half steps and repeat on each syllable again.
The octave slide is the final warm-up exercise that we'll do. As before, use the buzz and start on the base note; slide up an octave and back down to the base: do, do, do. Repeat on "oo". Move up a half-step, do the buzz, and then "oo". Continue moving up by half-steps.
Hopefully, if these are done properly, you have made a great warm-up exercise that will surely help you with your singing practice for that day.ce registries. These types of qualities are what infuse a voice with fullness, warmth, and personality.
Article Source: Articlelogy.com
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